CAB 3rd Floor Artwork

The Works of Brother Cletus Behlman, S.M. 

Brother Cletus Behlman was born in St. Louis, Missouri and was one of twelve children. He was educated in Catholic schools and later graduated from St. Mary’s University. In 1958, he took his final vows as a Marianist brother and with the permission of the Society of Mary, he pursued art as his vocation. He received training at the Chicago Institute of Art and Washington University. Brother Cletus returned to St. Mary’s University in San Antonio in 1977 bolstering the institution’s art program. It was said of the introverted Cletus that he used his artistic talent to connect with people while bringing them together. His colorful style is a window to his soul; a soul that was exuberant.

Brother Cletus was a prolific painter and donated several hundred paintings to nonprofit organizations to help raise funds. His colorful works are signed simply ‘Cletus’.

“The themes of his art were mostly religious, but overall his work was a “celebration of life.” His art came in metal, acrylic, watercolor, batik, pastel, stained glass, ceramic, handmade paper, linoleum, crayon and other media” --- St. Mary’s University Website

Brother Cletus Behlman, S.M. (American, 1933-2016)
Still Life with Spring Flowers
Oil on wood panel
Frame created by artist
Signed l.r.
47 x 31 inches

The Works of Brother Cletus Behlman, S.M. 

Brother Cletus Behlman was born in St. Louis, Missouri and was one of twelve children. He was educated in Catholic schools and later graduated from St. Mary’s University. In 1958, he took his final vows as a Marianist brother and with the permission of the Society of Mary, he pursued art as his vocation. He received training at the Chicago Institute of Art and Washington University. Brother Cletus returned to St. Mary’s University in San Antonio in 1977 bolstering the institution’s art program. It was said of the introverted Cletus that he used his artistic talent to connect with people while bringing them together. His colorful style is a window to his soul; a soul that was exuberant.

Brother Cletus was a prolific painter and donated several hundred paintings to nonprofit organizations to help raise funds. His colorful works are signed simply ‘Cletus’.

“The themes of his art were mostly religious, but overall his work was a “celebration of life.” His art came in metal, acrylic, watercolor, batik, pastel, stained glass, ceramic, handmade paper, linoleum, crayon and other media” --- St. Mary’s University Website 

Brother Cletus Behlman, S.M. (American, 1933-2016)
Still Life with Bottle, Flowers and Teapot
Signed l.r.
Oil on wood panel
Signed l.r.
47 x 31 ½ inches

The Works of Brother Cletus Behlman, S.M. 

Brother Cletus Behlman was born in St. Louis, Missouri and was one of twelve children. He was educated in Catholic schools and later graduated from St. Mary’s University. In 1958, he took his final vows as a Marianist brother and with the permission of the Society of Mary, he pursued art as his vocation. He received training at the Chicago Institute of Art and Washington University. Brother Cletus returned to St. Mary’s University in San Antonio in 1977 bolstering the institution’s art program. It was said of the introverted Cletus that he used his artistic talent to connect with people while bringing them together. His colorful style is a window to his soul; a soul that was exuberant.

Brother Cletus was a prolific painter and donated several hundred paintings to nonprofit organizations to help raise funds. His colorful works are signed simply ‘Cletus’.

“The themes of his art were mostly religious, but overall his work was a “celebration of life.” His art came in metal, acrylic, watercolor, batik, pastel, stained glass, ceramic, handmade paper, linoleum, crayon and other media” --- St. Mary’s University Website

Brother Cletus Behlman, S.M. (American, 1933-2016)
Three Kings
Oil on wood panel
Signed l.r.
48 x 48 inches

The Works of Carolina G. Flores
“The colors in my work are vibrant, pure and fresh from the tube. Going back to family portraits (home, West Texas), highway landscapes and neighborhoods fill my canvasses.  There, in these portraits and landscapes, are the stories I want to tell with an emotion of color and line. 

The flowers are an extension of my love of nature, color and movement. Whether store bought or grown in the garden, the brush moves quickly, capturing their dance before the petals fall.” --- Carolina Flores

Carolina G. Flores (American, 1948)
Recuerdos del Colegio
Oil on polyfiber
Signed l.l.
72 x 96 inches

This interpretive portrait of A&M-San Antonio has its design based on the Alhambra, a palace/fortress of Andalusia, Spain. It has been the inspiration for many songs and stories. One song is titled “Recuerdos de la Alhambra”; the artist has repurposed the song title for this painting using “Colegio” (translated: college) in place of “Alhambra”. Visible in the painting’s background are two jaguars. These are reminiscent of the Court of the Lions in the Alhambra patio. It should be noted that the Alhambra of Spain is a World Heritage site as are the five missions of San Antonio.

The Works of Adriana M. Garcia
“I believe in the social importance of art. It is the most accessible way to protest, love, heal and learn. The way we share our stories and the voices we choose to manifest our passion, hurt, anger, sadness, love, hope, and heritage have the power to fortify our human relationship with one another. Understanding emotions increases the quality of our existence in the multicultural landscape we occupy. Through my artwork and paintings, I provide the viewer a visual articulation of emotions.” --- Adrianna Garcia

Adriana M. Garcia (American, b. 1977)
Monessa’s Light, 2015
Oil wood stain on 24kt gold leaf on board
Signed on verso
30 x 48 inches

Known for her exuberantly colorful paintings and murals, the artist experiments with both palette and medium by returning to monochromatic tonalities and the use of wood support rather than canvas. Monessa’s Light depicts a celebration of the woman’s strength and her individual light, a light within her heart that she gives back to the world.  This painting is a particular favorite of the artist. 

The Works of Adriana M. Garcia
“I believe in the social importance of art. It is the most accessible way to protest, love, heal and learn. The way we share our stories and the voices we choose to manifest our passion, hurt, anger, sadness, love, hope, and heritage have the power to fortify our human relationship with one another. Understanding emotions increases the quality of our existence in the multicultural landscape we occupy. Through my artwork and paintings, I provide the viewer a visual articulation of emotions.” --- Adrianna Garcia

Adriana M. Garcia (American, b. 1977)
Nuptials, 2014
Oil wood stain on 24kt gold leaf on board
Signed on verso
60 x 40 inches 

The hummingbird is the only bird that can travel backwards and sideways. According to the artist, “It makes the bird a natural time traveler.” In this painting, Nuptials, the hummingbird represents the bride and groom’s travels through the end of time together.  The bride and groom will continue to nurture one another like the hummingbird and the nectar.

Carolina G. Flores (American b. 1948)

Azuelos de la Alhambra

Hand painted silk charmeuse

45" x 140"

Roger Flores

Chili Queens

Oil and acrylic on Canvas

70" x 52"

Scott Smedley

Allegiance

Acrylic on wood

48" x 72"

Scott Smedley

Holocaust Remembered #2

Acrylic on Wood

48" x 48"

Scott Smedley

Lesson Learned

Acrylic on wood

48" x 48"